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Motion JPEG

 

Motion JPEG, abbreviated as M-JPEG or MJPEG, was originally developed for multimedia PC applications. Each video frame or interlaced field of a digital video sequence in M-JPEG is separately compressed as a JPEG image. And now it is used by video-capture devices such as digital cameras, IP cameras, and webcams; and by non-linear video editing systems. M-JPEG enjoys native support by the QuickTime Player, the PlayStation console, and browsers such as Safari, Google Chrome, and Mozilla Firefox.

 

Encoding

Motion JPEG uses a lossy form of intraframe compression based on the discrete cosine transform (DCT). This mathematical operation converts each frame/field of the video source from the spatial (2D) domain into the frequency domain (aka transform domain.) A perceptual model based loosely on the human psychovisual system discards high-frequency information, i.e. sharp transitions in intensity, and color hue. In the transform domain, the process of reducing information is called quantization. In laymen's terms, quantization is a method for optimally reducing a large number scale (with different occurrences of each number) into a smaller one, and the transform-domain is a convenient representation of the image because the high-frequency coefficients, which contribute less to the over picture than other coefficients, are characteristically small-values with high compressibility. The quantized coefficients are then sequenced and losslessly packed into the output bitstream. Nearly all software implementations of M-JPEG permit user control over the compression-ratio (as well as other optional parameters), allowing the user to trade off picture-quality for smaller file size. In embedded applications (such as miniDV, which uses a similar DCT-compression scheme), the parameters are pre-selected and fixed for the application.

M-JPEG is an intraframe-only compression scheme (compared with the more computationally intensive technique of interframe prediction). Whereas modern interframe video formats, such as MPEG1, MPEG2 and H.264/MPEG-4 AVC, achieve real-world compression-ratios of 1:50 or better, M-JPEG's lack of interframe prediction limits its efficiency to 1:20 or lower, depending on the tolerance to spatial artifacting in the compressed output. Because frames are compressed independently of one another, M-JPEG imposes lower processing and memory requirements on hardware devices.

As a purely intraframe compression scheme, the image-quality of M-JPEG is directly a function of each video frame's static (spatial) complexity. Frames with large smooth-transitions or monotone surfaces compress well, and are more likely to hold their original detail with few visible compression artifacts. Frames exhibiting complex textures, fine curves and lines (such as writing on a newspaper) are prone to exhibit DCT-artifacts such as ringing, smudging, and macroblocking. M-JPEG compressed-video is also insensitive to motion-complexity, i.e. variation over time. It is neither hindered by highly random motion (such as the surface-water turbulence in a large waterfall), nor helped by the absence of motion (such as static landscape shot by tripod), which are two opposite extremes commonly used to test interframe video-formats.

For QuickTime formats, Apple has defined two types of coding: MJPEG-A and MJPEG-B. MJPEG-B no longer retains valid JPEG Interchange Files within it, hence it is not possible to take a frame into a JPEG file without slightly modifying the headers.

 

Advantages & Disadvantages

Advantages

It is simple to implement because it uses a mature compression standard (JPG) with well-developed libraries, and it's an intraframe method of compression.

It tolerates rapidly changing motion in the video stream, whereas compression schemes using interframe compression can often experience unacceptable quality loss when the video content changes significantly between each frame.

Because the M-JPEG standard emerged from a market-adoption process rather than a standards body, it enjoys broad client support — most major web browsers and players provide native support and plug-ins are available for the rest.

Minimal hardware is required because it is not computationally intensive.


Disadvantages

Unlike the video formats specified in international standards such as MPEG-2 and the format specified in the JPEG still-picture coding standard, there is no document that defines a single exact format that is universally recognized as a complete specification of “Motion JPEG” for use in all contexts. This raises compatibility concerns about file outputs from different manufacturers. However, each particular file format usually has some standard how M-JPEG is encoded. For example, Microsoft documents their standard format to store M-JPEG in AVI files, Apple documents how M-JPEG is stored in QuickTime files, RFC 2435 describes how M-JPEG is implemented in an RTP stream, and an M-JPEG CodecID is planned for the Matroska file format.

JPEG is inefficient, using more bits to deliver equal quality, compared to more modern formats (such as JPEG 2000 and H.264/MPEG-4 AVC). Since the development of the original JPEG standard in the early 1990s, technology improvements have made interframe compression possible. Technology improvements can be found in the designs of H.263v2 Annex I and MPEG-4 Part 2, which use frequency-domain prediction of transform coefficient values, and in H.264/MPEG-4 AVC, which uses spatial prediction and adaptive transform block size techniques and more sophisticated entropy coding than what was practical when the first JPEG design was developed. These new developments make M-JPEG appear outdated and inefficient.

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Requirements

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Requires OS X 10.5+ and Blu-ray Drive

Requires Windows XP or later and Blu-ray Drive

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